E.T.A. Hoffmann

(1776-1822)

General Studies


ASHLEY, Mike. "Hoffmann, E(rnst) T(heodor) A(madeus) 1776-1822" (pp. 668-69). St. James Guide to Horror, Ghost, and Gothic Writers, ed. David Pringle. Detroit: St. James Press/Gale, 1998.
BARINE, Arvede. Poetes et Nevroses: Hoffmann, De Quincey, Edgar Poe, Gerard de Nerval. [GGI: 1930].
BARTH, Johannes. "Eine Art Schuld and Sühne des romantischen Zeitalters E.T.A. Hoffmann und Dostojew-skij." Wirkendes Wort 48 (1998): 345-54. [A Type of Guilt and Atonement of the Romantic Ages; E.T.A. Hoffmann and Dostoevsky.]
BECKER, Allienne R. "Die Elixiere des Teufels: E.T.A. Hoffman's House of Mirrors." Journal of the Fantastic in the Arts 9 (1998): 117-30.
BECKER, Allienne Rimer. "The Fantastic in the Fiction of Hoffmann and Hawthorne." Dissertation Abstracts International 45:10 (1985): 3126A-27A (Pennsylvania State University).
BERGSTROM, Stefan S.O. Between Real and Unreal: A Thematic Study of E.T.A. Hoffmann's "Die Serapionsbruder"; Studies on Themes and Motifs in Literature. New York: Peter Lang, 2000.
BERGSTROM, Stefan Sven Olof. "Dark Mirrors: Fantastic Elements in E.T.A. Hoffmann's Die Serapionsbruder." Dissertation Abstracts International 58:2 (1997): 467 (University of Kansas).
BLEILER, E.F. "Introduction." The Best Tales of Hoffmann. [GGI: 1931].
BROOKS, C.N. and R.G. WHITINGER. "Olivier's Jewel Box: A Reassessment of the 'Usual Suspects' in Hoffmann's Das Fraulein Scuderi." Journal of English and Germanic Philology 191 (2002): 68-89.
CRAMER, Karin. "Bewusstseinspaltung in E.T.A. Hoffmann's Die Elixiere des Teufels." [GGI: 1934].
CRISMAN, William. "Romanticism Repays Gothicism: E.T.A. Hoffmann's 'Councilor Krespel' as a Recovery of Matthew G. Lewis' The Monk." Comparative Literature Studies 40 (2003): 311-28.
DAEMMRICH, Horst. "The Devil's Elixirs: Precursor of the Modern Psychological Novel." [GGI: 1935].
DAIBER, Jurgen. "Die Autofaszination des Blicks: Zu einem Motivcomplex im Erzahlwerk E.T.A. Hoffmanns." Euphorion 93 (1999): 485-96. [The Self-Fascination of the Gaze: On a Motive Complex in the Tales of E.T.A. Hoffmann.]
DETERLING, Klaus. E.T.A. Hoffmanns Dichtung und Weltbild. Würzburg, Germany : Königshausen und Neumann, 2003. [E.T.A. Hoffmann's Writing and World View.]
DOSE, Claus D. "The Reception of E.T.A. Hoffmann in the United States, 1940-1976." [GGI: 1936].
GERDES, Joachim. Ein Lebenselixir: E.T.A. Hoffmanns Elixiere des Teufels und der Bildungsroman der Goethezeit. Hamburg: Universitõts Publikationen, 2001. [An Elixir of Life: E.T.A. Hoffmann's Devil's Elixirs and the Novel of Education in the Age of Goethe.]
GODEAU, Florence. "'Der Sandmann': Une Poetique du leurre." Revue de Littérature Française et Comparée 13 (1999): 301-12. ["The Sandman"; A Poetic of Delusion.]
GOFF, Penrith. "E.T.A. Hoffmann." In Supernatural Fiction Writers. [GGII: 1309].
GUSTAFSON, Susan. "The Cadaverous Bodies of Vampiric Mothers and the Genealogy of Pathology in E.T. A. Hoffmann's Tales." German Life and Letters 52 (1999): 238-54.
HDRICH, Aurelie. Die Anthropologie E.T.A. Hoffmanns und ihre Rezeption in der europõischen Literatur im 19. Jahrhundert. Frankfurt am Main: Peter Lang, 2001. [E. T.A. Hoffmann's Anthropology and Its Reception in European Literature in the 19th Century.]
KAMLA, Thomas A. "E.T.A. Hoffmann's Vampirism Tale: Instinctual Perversion." [GGII: 1311].
KENT, Leonard J. and Elizabeth C. KNIGHT. "Introduction." The Tales of Hoffmann. [GGI: 1938].
KLEINE, Sabine. "E.T.A. Hoffmann, oder: Die Fõl-schung der romantischen Welt." Prospero: Rivista di Culture Anglo-Germanische 6 (1999): 73-86. [E.T.A. Hoffmann, or: The Falsification of the Romantic World.] On Hoffmann's relationship to dark Romanticism.
KLEINE, Sabine. "Elixiere des Teufels: Notes on E.T.A. Hoffmann's 'black Romanticism' and the Idealist Critical Re-sponse." AUMLA: Journal of the Australasian Universities Language and Literature Association 91 (1999): 27-44.
KLEINE, Sabine. "Hassliche Traume: Literarische Phantastik und das Anti-Asthetische Projekt der Moderne." Neohelicon 26 (1999): 19-37. [Repulsive Dreams: Literary Fantastic and the Antiaesthetic of the Modern.]
KONOW, Petra Liedke. "Entstehung, Wirkung und Gestaltung Heiterkeit, Ausgleich und Vielseitigkeit: Versuch einer umfassenden Definition des Serapionischen bei E.T.A. Hoffmann." Acta Germanica 26-27 (1998-1999): 26-27, 7-26. [Origin, Operation and Formation of Serenity: Settlement and Versatility as a Comprehensive Definition of E.T.A. Hoffmann's Serapionism.]
LABRIOLA, Patrick. "Edgar Allan Poe and E.T.A. Hoffmann: The Double in 'William Wilson' and The Devil's Elixirs." International Fiction Review 29:1-2 (2002): 69-77.
LANGE, James A. "The Levels of Suspense in E.T. A. Hoffman's Die Elixiere des Teufels." [GGI: 1939].
LAURS, Axel. "Noch Einmal Hinter die Gardinenzu Kucken Reflections on Absolutism in E.T.A. Hoffmann's Das Fraulein von Scuderi." AUMLA: Journal of the Australasian Universities Language and Literature Association 94 (2000): 1-18.
LAZARE, Christopher. "Introduction." Tales of Hoffmann. [GGI: 1940].
LODE, Imke. "Between Body and Space: Modern Vision and the Premonition of the Cinematic in E.T.A. Hoffmann's wirkliches Schauen." Dissertation Abstracts International 61:4 (2000): 1428-29 (New York University).
MAYER, Paola. "Das Unheimliche als Strafe und Warnung: Zu einem Aspekt von E.T.A. Hoffmanns Kritik an der Fruhromantik." E.T.A. Hoffmann Jahrbuch 8 (2000): 56-68. [The Uncanny as Punishment and Warning: Hoffmann's Critique of the Early Romantic.]
MCGLATHERY, James T. "Demon Love: E.T.A. Hoffman's Elixiere des Teufels." [GGI: 1941].
MCGLATHERY, James T. "Mysticism and Sexuality: E.T.A. Hoffmann and His Sources." [GGII: 1312].
MCGLATHERY, James T. E.T.A. Hoffmann. New York: Twayne, 1997.
MIKKONEN, Kai. "The Hoffman(n) Effect and the Sleeping Prince: Fairy Tales in Angela Carter's The Infernal Desire Machines of Doctor Hoffmann" (pp. 167-86). Angela Carter and the Fairy Tale, eds. Danielle M. Roemer and Cristina Bacchilega. Detroit: Wayne State University Press, 1998.
MOHR, Hans-Ulrich. "Hoffmann, E.T.A. (1776-1822)" (pp. 119-21). The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998.
MUELLER, Ilze Klavins. "Spatial Imagery in E.T.A. Hoffmann's Die Elixiere des Teufels." [GGI: 1942].
NEGUS, Kenneth. "The Allusions to Schiller's Der Geiserseher in E.T.A. Hoffmann's 'Das Major' at Meaning and Back-ground." [GGI: 1944].
NEGUS, Kenneth. "The Family Tree in E.T.A. Hoff-mann's Die Elixiere des Teufels." [GGI: 1943].
NEHRING, Wolfgang. "E.T.A. Hoffmann: Die Elixiere des Teufels." Romane und erzõhlungen des deutschen romantik: Neue interpretationen. [GGII: 1315].
NEHRING, Wolfgang. "Gothic Novel und Schauerroman: Tradition und Innovation in Hoffmanns Die Elixiere des Teufels." Hoffmann Jahrbuch 1 (1992-93): 36-47.
OLSON, Susanne. "Das Wunderbare und seine psychologische funktion in E.T.A. Hoffmanns Die Elixiere des Teufels." [GGI: 1946].
OLSON, Susanne. "E.T.A. Hoffmanns Elixiere des Teufels als schauerroman." [GGI: 1945].
PASSAGE, Charles E. "E.T.A. Hoffmann's The Devil's Elixirs: A Flawed Masterpiece." [GGI: 1947].
PREUSS, Karin. The Question of Madness in the Works of E.T.A. Hoffmann and Mary Shelley. Frankfort am Main & New York: Peter Lang. 2003.
ROAS, David. Hoffmann en Espana: Recepcion y Influencias. Madrid: Biblioteca Nueva. 2002.
SALVADOR, Vicent and Josep Roderic GUZMAN. "Retorica i recepcio de la literatura romantica: Sobre les traduccions d'un text d'E.T.A. Hoffmann." Quaderns de Filologia Estudis Linguistics 4 (1998): 239-55, 304. [Rhetoric and Reception of Romantic Literature: On the Translations of a Hoffmann text.]
SAUL, Nicholas. "Experimentelle Selbsterfahrung und Selbsdestruktion: Anatomie des Ichs in literarischen Moderne" (pp. 341-42). Asthetische Moderne in Europa: Grundzuge un Problemzusammenhange seit der Romantik, eds. Silvio Vietta and Dirk Kemper. Munich: Fink, 1998. [Experimental Self-Discovery and Self-Destruction: Anatomy of I's in Modern Literature.]
STEINECKE, Hartmut. "Britisch-deutsche Romanielekturen im fruhen neunzehnten Jahrhundert: Hoffmann und Scott zum Beispiel: Papers from the Conference Held at the University of Leeds from 15 to 17 September 1997" (pp. 103-16). The Novel in Anglo-German Context: Cultural Cross-Currents and Affinities, ed. Susanne Stark. Amsterdam, Netherlands: Rodopi, 2000. [British-German Novel Reading in the Early Nineteenth Century: The Example of Hoffmann and Scott.]
STEINECKE, Hartmut. "E.T.A. Hoffmann und Walter Scott, die 'Cory-phaen der jetzigen Romandichter' Romanmodelle um 1820; Festschrift für Helmut Koopmann" (pp. 193-209). 'In Spuren gehen . . . ' eds. Andrea Bartl, Jurgen Eder, Harry Frohlich, Klaus Dieter Post, Ursula Regener. Tubingen, Germany: Niemeyer, 1998. [E.T.A. Hoffmann and Walter Scott, 'Die Coryphaen der jeztigen Romandichter' Model Novel around 1820.]
STEINWACHS, Cornelia. "Die Liebeskonzeption in E.T.A. Hoffmanns Die Elixiere des Teufels" E.T.A. Hoffmann Jahrbuch 8 (2000): 37-55. [The Conception of Love in E.T.A. Hoffmann's Die Elixiere des Teufels.]
SUCHER, Paul. "Les Sources du merveillieux chez E.T.A. Hoffman." [GGI: 1950].
THOMSON, Douglass H. "E[rnst] T[heodor] Amadeus Hoffmann" (pp. 177-84). Gothic Writers: A Critical and Bibliographical Guide, eds. Douglass H. Thomson, Jack G. Voller, and Frederick S. Frank. Westport, CT: Greenwood Press, 2002.
TYMMS, Ralph. "Hoffmann: The Climax of 'Horror Romanticism.'" [GGI: 1952].
VON DER LIPPE, George B. "The Fictionalization of Hoffmann: Three Articles Considering the Literary Relationship of Edgar Allan Poe to the Figure of E.T.A. Hoffmann." [GGI: 1631].
WILLSON, A. Leslie. "Hoffmann's Horrors." Literature and the Occult: Essays in Comparative Literature. [GGI: 1958].
WOODGATE, Kenneth B. "Revisiting Serapion: E.T.A. Hoffmann's Principles of Literary Production and the Limits of Literary Discourse." AUMLA: Journal of the Australasian Universities Language and Literature Association 92 (1999): 33-50.
WRIGHT, Elizabeth. E.T.A. Hoffmann and the Rhetoric of Terror. [GGII: 1319].
ZARAGOZA, Georges. "Le Topos du Manuscrit Trouve: 'Lieu' du secret et du desir; Actes du Colloque international, Louvain-Gand, 22-24 mai 1997" (pp. 245-54). Le Topos du manuscrit trouve, eds. Jan Herman, Fernand Hallyn, and Kris Peters. Louvain, Belgium : Peeters, 1999.