Classic Era, 1764-1824

General Studies


DELUCIA, JoEllen. "From the Female Gothic to a Feminist Theory of History: Ann Radcliffe and the Scottish Enlightenment." The Eighteenth Century  50.1 (2009): 101-15.
EDWARDS, Elizabeth. "Iniquity, Terror and Survival: Welsh Gothic, 1789-1804." Journal for Eighteenth-Century Studies 35.1 (2012): 119-33.
ELLIOTT, Kamilla. Portraiture and British Gothic Fiction: The Rise of Picture Identification, 1764-1835. Baltimore: Johns Hopkins UP, 2012.
GOTTLIEB, Evan. "No Place Like Home: From Local to Global (and Back again) in the Gothic Novel."  Representing Place in British Literature and Culture, 1660-1830: From Local to Global.   Eds. Evan Gottlieb and Juliet Shields. Farnham: Ashgate, 2013. 85-101.
HOEVELER, Diane Long. Gothic Riffs: Secularizing the Uncanny in the European Imagery, 1780-1820. Columbus: Ohio State UP, 2010.
PETERMANN, Emily. "'I once more tasked my understanding and my senses': Sensual Stimuli in Charles Brockden Brown's Wieland and Edgar Huntly." Aeternum: The Journal of Contemporary Gothic Studies 1(2): 2014, 1-13.
PETSCHE, Jackson. "An already alienated animality: Frankenstein as a Gothic narrative of carnivorism." Gothic Studies 16(1): 2014, 98-110. 
TAYLOR, Stephanie Abigail "Gothic Sense and Sensibility," The Kabod 1. 1 (2014): Article 3. Liberty University Digital Commons.
YOUNG, Margaret Anne. "Fatal Attraction: The Fetishized Image of the Fatal Woman as Gothic Double." (2014). University of Western Ontario - Electronic Thesis and Dissertation Repository. Paper 2604. http://ir.lib.uwo.ca/etd/2604