14. Mary Wollstonecraft Godwin Shelley

(1797-1851)

 

Internet Resources: My Hideous Progeny: Mary Shelley's Frankenstein

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AARON, Jane. “The Return of the Repressed: Reading Mary Shelley’s The Last Man” (pp. 9-21). In Feminist Criticism: Theory and Practice, ed. Susan Sellers, Linda Hutcheon, and Paul Perron. Toronto: Toronto University Press, 1991.

ADAMS, Harriet Farwell. “Domesticating the Brutal Passion in Nineteenth Century Fiction.” [GGII: 0396].

AHLBRAND, Sheila. “Author and Editor: Mary Shelley’s Private Writings and the Author Function of Percy Bysshe Shelley” (pp. 35-61). In Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth, eds. Syndy M. Conger, Frederick S. Frank, and Gregory O‘Dea. Madison, NJ.: Fairleigh Dickinson University Press, 1997.

ALDISS, Brian W. “Mary Wollstonecraft Shelley, 1797-1851.” In Science Fiction Writers: Critical Studies of the Major Authors from the Early Nineteenth Century to the Present Day. [GGII: 0397].

ALDISS, Brian W. “Introduction” (pp. vi-xi). To The Last Man. Lincoln: University of Nebraska Press, 1965.

ALEXANDER, Meena. “Femininity and Betrayal: The Last Man” and “Confronting Chaos: Mary Shelley’s The Last Man” (pp. 155-60, 185-91). In Women in Romanticism: Mary Wollstonecraft, Dorothy Wordsworth, and Mary Shelley. Savage, MD: Barnes and Noble, 1989.

ALWES, Karla. “The Alienation of Family in Mary Shelley’s Frankenstein” (pp. 109-19). In Jane Austen and Mary Shelley, and their Sisters, ed. Laura Dabundo. Lanham, MD: University Press of America , 2000.

ARNOLD, Donna. “Frankenstein’s Monster: Paragon or Paranoic?“ [GGI: 0698].

AWAD, Louis. “The Alchemist in English Literature: Frankenstein.” [GGI: 0699].

BAILEY, Jutta M. “A Study of Women Characters in Selected Novels of Women Writers of the Romantic Pe-riod.” [GGII: 0398].

BALDICK, Chris. In Frankenstein’s Shadow: Myth, Monstrosity and Nineteenth Century Writing. [GGII: 0399].

BALDICK, Chris. “The Politics of Monstrosity” (pp. 48-67). In Frankenstein/Mary Shelley, ed. Fred Botting. New York: St. Martin’s Press, 1995.

BALESTRA, Dominic J. “Technology in a Free Society: The New Frankenstein.” [GGII: 0400].

BANERJI, Krishna. “Enlightenment and Romanticism in the Gothic: A Study of Mary Shelley’s Frankenstein.” In The Romantic Tradition. [GGII: 0401].

BANERJI, Krishna. “Mary Shelley, Frankenstein, and the Woman Writer’s Fate” (pp. 69-87). In Romantic Women Writers: Voices and Countervoices, ed. Paula R. Feldman and Theresa M. Kelley. Hanover, NH: University Press of New England, 1995.

BANN, Stephen, ed. Frankenstein, Creation, and Monstrosity. London : Reaktion Books, 1994. 

BARBOUR, Judith. “‘The meaning of the tree’: The Tale of Mirra in Mary Shelley’s Mathilda” (pp. 98-114). In Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth, eds. Syndy M. Conger, Frederick S. Frank, and Gregory O‘Dea. Madison, NJ . Fairleigh Dickinson University Press, 1997.

BAUM, Joan. “The Lessons of Frankenstein.” [GGI: 0700].

BEAUCHAMP, Gorman. “The Frankenstein Complex and Asimov’s Robots.” [GGI: 0701].

BECK, Rudolph. “‘The Region of Beauty and De-light:’ Walton’s Polar Fantasies in Mary Shelley’s Frankenstein.” Keats-Shelley Journal 49 (2000): 24-29. Identifies the Miltonic source for Walton’s polar fantasies. “Walton’s prelapsarian fantasies give prominence to his similarities with Frankenstein.”

BEER, John. “Mary Shelley, Frankenstein” (pp. 227-36]). In A Companion to Romanticism, ed. Duncan Wu. Oxford, UK; Malden, MA : Blackwell Publishers, 1998.

BEHRENDT, Stephen C. Approaches to Teaching Shelley’s Frankenstein. [GGII: 0402].

BEHRENDT, Stephen C. “Frankenstein, and the Woman Writer’s Fate” (pp. 69-87). In Romantic Women Writers: Voices and Countervoices, eds. Paula R. Feldman and Theresa M. Kelley. Hanover, NH: University Press of New England, 1995.

BENNETT, Betty T. “‘Not This Time, Victor’: Mary Shelley’s Reversioning of Elizabeth, from Frankenstein to Falkner” (pp. 1-17). In Mary Shelley in Her Times, eds. Betty T. Bennett and Stuart Curran. Baltimore: Johns Hopkins University Press, 2000.

BENNETT, Betty T. Mary Wollstonecraft Shelley: An Introduction. Baltimore: Johns Hopkins University Press, 1998. An expanded revision of the introduction written for the eight volume set of Mary Shelley published by Pickering and Chatto.

BENNETT, Betty T. and Charles E. ROBINSON. The Mary Shelley Reader: Containing Frankenstein, Mathilda, Tales and Stories, Essays and Reviews, and Letters. [GGII: 0403].

BENNETT, Betty T. and Stuart CURRAN, eds.  Mary Shelley in Her Times. Baltimore: Johns Hopkins University Press, 2000.

BERGER, Arthur Asa. “Frankenstein: The New Prometheus” (pp. 737-43). In Popular Fiction: An Anthology, ed. Gary Hoppenstand. New York : Longman, 1998.

BERMAN, Jeffrey. “Frankenstein; or, The Modern Narcissus.” In Narcissism and the Novel. [GGII: 0404].

BERTHIN, Christine. “Family Secrets and a Shameful Disease: ‘Aberrations of Mourning’ in Frankenstein.” QWERTY: Arts, Littératures, and Civilisations, du Monde Anglophone 3 (1993): 53-60.

BEST, Debra. “The Monster in the Family: A Reconsideration of Frankenstein’s Domestic Relationships.” Wo-men’s Writing 6 (1999): 365-84. 

BIGLAND, Eileen. Mary Shelley. [GGI: 0702].

BIRKETT, Julian. “Frankensteins: The Monster Lives On.” [GGII: 0405].

BLOOM, Harold. “Frankenstein; or, The Modern Prometheus.” [GGI: 0703].

BLOOM, Harold. “Afterword.” To Frankenstein; or, The Modern Prometheus. [GGI: 0704].

BLUMBERG, Jane. “Mary Shelley’s Early Novels.” Diss IT 41 (1992): 244-45. (Oxford University).

BLUMBERG, Jane. “‘The Earth is not, nor ever can be heaven’: The Last Man” (pp. 114-55). In Mary Shelley’s Early Novels: The Child of Imagination and Misery. Iowa City: University of Iowa Press, 1993. 

BOCH, Gudrun. “Mary Wollstonecraft Shelley, Frankenstein; or, The Modern Prometheus.” In Der Science Fiction roman in der angloamerikanischen literatur: Interpretationen. [GGII: 0407].

BOK, Christian. “The Monstrosity of Representation: Frankenstein and Rousseau.” [GGII: 0408].

BORGMEIER, Raimund. “Das Monster und Wo-men’s Lib––Mary Shelley’s Frankenstein aus feministcher sicht.” In Frauen und frauendarstellung in der englischen und amerikanischen literatur. [GGII: 0409].

BOTTING, David Charles [Fred]. “Making Monstrous: Frankenstein, Criticism, Theory.” [GGII: 0410].

BOTTING, David Charles [Fred]. “Frankenstein’s French Revolution: The Dangerous Necessity of Monsters.” [GGII: 0411].

BOTTING, David Charles [Fred]. Making Monstrous, Frankenstein, Criticism, Theory. [GGII: 0412].

BOTTING, David Charles [Fred]. ed. Frankenstein/Mary Wollstonecraft  Shelley. New York: St. Martin’s Press, 1995.

BOUSQUET, Gilles.”Figures du monstrueux et récit fantastique au XIXe siècle.” In Monstrueux dans la littérature et la pensée anglaises. [GGII: 0413].

BOWEN, Arlene. “‘The Eternal and Victorious Influence of Evil’: Mary Shelley’s First Decade of Fiction (1816-1825).” Dissertation Abstracts International 53 (19-92): 1921A (SUNY at Stony Brook).

BOWERBANK, Sylvia. “The Social Order vs. the Wretch: Mary Shelley’s Contradictory-Mindedness in Frankenstein.” [GGI: 0706].

BRENNAN, Matthew C. “The Landscape of Grief in Mary Shelley’s Frankenstein.” [GGII: 0414].

BRENNAN, Matthew C. “Mary’s Shelley’s Cautionary Narrative: Frankenstein as Therapy.” Lamar Journal of the Humanities 24:2 (1999): 5-11. On the psychological bond established between Frankenstein and Walton.

BREWER, William D. “Mary Wollstonecraft and Mary Shelley: Ideological Affinities” (pp. 97-108). In Jane Austen and Mary Shelley, and their Sisters, ed. Laura Dabundo. Lanham, MD: University Press of America , 2000.

BRONFEN, Elisabeth. “Rewriting the Family: Mary Shelley’s Frankenstein and its Biographical Texual Context” (pp. 16-38). In Frankenstein, Creation, and Monstrosity, ed. Stephen Bann. London : Reaktion, 1994. 

BROOKS, Anita. “Frankenstein’s Lonely Monster“ In Practical English Handbook. [GGI: 0707].

BROOKS, Peter. “Godlike Science/Unhallowed Arts: Language and Monstrosity in Frankenstein.” [GGI: 0708].

BROWN, James. “Through the Looking Glass: Victor Frankenstein and Robert Owen.” Extrapolation: A Journal of Science Fiction and Fantasy 43 (2002): 263-76.

BUCHEN, Irving H. “Frankenstein and the Alchemy of Creation and Evolution.” [GGI: 0709].

BUNNELL, Charlene E. “The Illusion of ‘Great Expectations’: Manners and Morals in Mary Shelley’s Lodore and Falkner” (pp. 275-92). In Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth, eds. Syndy M. Conger, Frederick S. Frank, and Gregory O‘Dea. Madison, NJ . Fairleigh Dickinson University Press, 1997.

CALDWELL, Janice McLarren. “Sympathy and Science in Frankenstein” (pp. 262-74). In The Ethics in Literature, eds. Andrew Hadfield, Dominic Rainsford, and Tim Woods. Houndmills, Basingstoke, Hampshire, UK : Palgrave/ Macmillan, 1998.

CALLAHAN, Patrick J. “Frankenstein, Bacon, and the ‘Two Truths.’” [GGI: 0710].

CANTOR, Paul. “The Nightmare of Romantic Idealism.” In Creature and Creator: Myth Making in English Ro-manticism. [GGII: 0416].

CANTOR, Paul. “Mary Shelley and the Taming of the Byronic Hero: ‘Transformation’ and The Deformed Transformed” (pp. 89-106). In The Other Mary Shelley: Beyond Frankenstein. New York: Oxford University Press, 1993.

CANTOR, Paul. “The Apocalypse of Empire: Mary Shelley’s The Last Man” (pp. 193-211). In Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth, eds. Syndy M. Conger, Frederick S. Frank, and Gregory O‘Dea. Madison, NJ. Fairleigh Dickinson University Press, 1997.

CARR, Mary Ellen Theresa. “Mary Wollstonecraft and Mary Shelley: A Study of Intertextual Voicing.” Dissertation Abstracts International 62:1 (2001): 180-81 (Indiana University of Pennsylvania).

CARSON, James P. “Bringing the Author Forward: Frankenstein Through Mary Shelley’s Letters.” [GGII: 04-17].

CARSON, James P. “‘A Sigh of Many Hearts’: History, Humanity, and Popular Culture in Valperga” (pp. 167-92). In Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth, eds. Syndy M. Conger, Frederick S. Frank, and Gregory O‘Dea. Madison, NJ . Fairleigh Dickinson University Press, 1997.

CASS, Jeffrey. “The Contestatory Gothic in Mary Shelley’s Frankenstein and J.W. Polidori’s Ernestus Berch-told: The Spectre of a Colonialist Paradigm.” JAISA: Journal of the Association for the Interdisciplinary Study of the Arts 1:2 (1996): 33-41. 

CERVO, Nathan. “Shelley’s Frankenstein.” [GGII: 0418].

CHAMPAGNE, Rosaria. “Crimes of Reading: Incest and Censorship in Mary Shelley’s Early Novels.” Dissertation Abstracts International 53 (1992): 1524A (Ohio State University).

CHANTLER, Ashley. “Echoes of Cowper in Frankenstein.” Notes and  Queries 46:244 (1999): 33-34. Notes sources in Cowper’s poem The Task and notes Frankenstein’s influence on Stevenson’s Dr. Jekyll and Mr. Hyde.

CHATTERJEE, Ranita. “Dialogues of Desire: Intertextual Narration in the Works of Mary Shelley and William Godwin.” Dissertation Abstracts International 59:10 (19-99): 3826 (University of Western Ontario). On the father daughter relationship as reflected by intertextual narration in Frankenstein.

CHATTERJEE, Ranita. “Mathilda: Mary Shelley, William Godwin, and the Ideologies of Incest” (pp. 130-49). In Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth, eds. Syndy M. Conger, Frederick S. Frank, and Gregory O‘Dea. Madison, NJ . Fairleigh Dickinson University Press, 1997.

CHURCH, Richard. Mary Shelley (1797-1851). [GGI: 0711].

CLARIDGE, Laura P. “Parent-Child Tensions in Frankenstein: The Search for Communion.” [GGII: 0419].

CLARK, Eric Otto. “Magnetic Attractions: Bodies of Knowledge in the Nineteenth Century.” [GGII: 0420].

CLEMIT, Pamela. “The Last Man, Mary Shelley’s Novels of the 1820s: History and Prophecy” (pp. 183-210). In The Godwinian Novel: The Rational Fictions of Godwin, Brockden Brown, Mary Shelley. Oxford: Clarendon Press, 1993.

CLEMIT, Pamela. “Mary Shelley and William Godwin: A Literary-Political  Partnership.” Women’s Writing 6 (1999): 285-95.

CLEMIT, Pamela. “From The Fields of Fancy to Matilda: Mary Shelley’s Changing Conception of her Novella.” Romanticism: The Journal of Romantic Culture and Criticism 3 (1997): 152-69. Reprinted (pp. 64-75). In Mary Shelley in Her Times, eds. Betty T. Bennett and Stuart Curran. Baltimore: Johns Hopkins University Press, 2000.

CLUBBE, John. “Mary Shelley as Autobiographer: The Evidence of the 1831 Edition of Frankenstein.” [GGI: 0713].

CLUBBE, John. “The Tempest-Toss’d Summer of 1816: Mary Shelley’s Frankenstein.” [GGII: 0421].

COLLINGS, David. “The Monster and the Imaginary Mother: A Lacanian Reading of Frankenstein.” In Case Studies in Contemporary Criticism: Mary Shelley, Frankenstein. [GGII: 0422].

CONGER, Lesley. “Mary’s Monster.” [GGI: 0714].

CONGER, Syndy M. “A German Ancestor for Mary Shelley’s Monster: Kahlert, Schiller, and the Buried Treasure of Northanger Abbey.” [GGI: 0715].

CONGER, Syndy M. “Mary Shelley’s Women in Prison” (pp. 81-97).  In Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth, eds. Syndy M. Conger, Frederick S. Frank, and Gregory O‘Dea. Madison , NJ . Fairleigh Dickinson University Press, 1997.

CONGER, Syndy M., Frederick S. FRANK and Gregory O‘DEA, eds. Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth. Madison, NJ: Fairleigh Dickinson University Press, 1997.

CORDARO, Joseph. “Long Day’s Journey into Frankenstein.” (pp. 116-28). In Frankenstein/Mary Shelley, ed. Fred Botting. New York: St. Martin’s Press, 1995.

COTTOM, Daniel. “Frankenstein and the Monster of Representation.” [GGI: 0716].

COUCHMAN, B.J. “Cassandra (Un)bound: An Examination of the Fiction of Mary Shelley. M. Phil. Dissertation. IT 38 (1989): 1458-1459. (University of York ).

COVI, Giovanna. “The Matrushka Monster of Feminist Criticism.” [GGII: 0423].

CRAFTS, Stephen. “Frankenstein: Camp Curiosity or Premonition?” [GGI: 0717].

CRAWFORD, Iain. “Wading through Slaughter: John Hampden, Thomas Gray, and Mary Shelley’s Frankenstein.” [GGII: 0424].

CROOK, Nora. “Mary Shelley, Author of Frankenstein.” (pp. 58-69). In A Companion to the Gothic, ed. David Punter. Oxford, UK and Malden, MA : Blackwell Publishers, 2000.

CROOK, Nora. “In Defence of the 1831 Frankenstein” (pp. 3-21). In Mary Shelley’s Fictions: From Frankenstein to Falkner, eds. Michael Eberle Sinatra and Nora Crook. Houndmills, Basingstoke, Hampshire, UK : Palgrave/ Macmillan, 2000.

CROUCH, Laura Ernestine. “The Scientist in English Literature: Domingo Gonzales (1638) to Victor Frankenstein (1817).” [GGI: 0718].

CROUCH, Laura Ernestine. “Davy’s A Discourse, Introductory to a Course of Lectures on Chemistry: A Possible Scientific Source of Frankenstein.” [GGI: 0719].

CRUZALLEGUI, Patricia. “Shelley: Observaciones sobre una estética del terror.” [GGII: 0425].

CUDE, Wilfred. “Mary Shelley’s Modern Prometheus: A Study in the Ethics of Scientific Creativity.” [GGI: 0720].

CYPESS, Sandra Messenger. “Frankenstein’s Monster in Argentina: Gombaro’s Two Versions.” [GGII: 04-26].

DAFFRON, Eric. “Male Bonding: Sympathy and Shelley’s Frankenstein.” Nineteenth Century Contexts 21 (1999)): 415-35.

DAVIS, James P. “Frankenstein and the Subversion of the Masculine Voice.” [GGII: 0427].

DINGLEY, Robert. “Shelley’s Frankenstein.” Explicator 57:4 (1999): 204-06.

DOWSE, Robert E. and D.J. PALMER. “Introduction.” To Frankenstein; or, The Modern Prometheus. [GGI: 0722].

DROVER, Jane Louise. “‘Frankenstein; or, The Mod-ern Prometheus’ and the Inoculated Reader.” [GGII: 0428].

DUNN, Jane. Moon in Eclipse: A Life of Mary Shelley. [GGI: 0723].

DUNN, Richard J. “Narrative Distance in Frankenstein.” [GGI: 0724].

DURRENMATT, Jacques. “Corps de Frankenstein.” QWERTY: Arts, Littératures, and Civilisations, du Monde Anglophone 3 (1993): 65-73. [Frankenstein’s bodies].

DUSSINGER, John A. “Kinship and Guilt in Mary Shelley’s Frankenstein.” [GGI: 0725].

EBERLE-SINATRA, Michael and Nora CROOK, eds. Mary Shelley’s Fictions: From Frankenstein to Falkner. New York: St. Martin’s Press, 2000.

EDELMAN-YOUNG, Diana. “Kingdom of Shadows: Imitations of Desire in Mary Shelley’s Mathilda.” Keats-Shelley Journal 51 (2002): 116-44.

EICHLER, Rolf. “In the Romantic Tradition: Frankenstein and The Rocky Horror Picture Show.” In Beyond the Suburbs of the Mind: Exploring English Romanticism. [GGII: 0430].

ELLIS, Kate. “Monsters in the Garden: Mary Shelley and the Bourgeois Family” In The Endurance of Frankenstein: Essay’s on Mary Shelley’s Novel. [GGI: 0726].

ELLIS, Reuben J. “Mary Shelley’s Reading of Ludwig Holberg: A Subterranean Fantasy at the Outer Edge of Frankenstein.” [GGII: 0431].

EL-SHATER, Safaa. The Novels of Mary Shelley. [GGI: 0727].

ENGAR, Ann. “Mary Shelley and the Romance of Science” (pp. 135-46). In Jane Austen and Mary Shelley, and their Sisters, ed. Laura Dabundo. Lanham, MD: University Press of America , 2000.

FAIRCLOUGH, Peter and Mario PRAZ. “Intro-duction.” To Frankenstein In Three Gothic Novels. [GGI: 0728].

FAVRET, Mary. “The Letters of Frankenstein.” [GGII: 0432].

FILMER, Kath. “The Specter of the Self in Frankenstein and Great Expectations” (pp. 19-30). In The Haunted Mind: The Supernatural in Victorian Literature, eds. Elton E. Smith and Robert Haas. Lanham, MD : Scarecrow Press, 1999.

FILMER, Kath. “A Woman Writes the Fiction of Science: The Body in Frankenstein.” [GGII: 0433].

FISCH, Audrey A  “Plaguing Politics: AIDS, Deconstruction, and The Last Man” (pp. 267-86). In The Other Mary Shelley: Beyond Frankenstein. New York: Oxford University Press, 1993.

FISCH, Audrey A., Anne K. MELLOR and Esther H. SCHOR. The Other Mary Shelley: Beyond Frankenstein. [GGII: 0434].

FLECK, P.D. “Mary Shelley’s Notes to Shelley’s Poems and Frankenstein.” [GGI: 0729].

FLOC’H, Sylvain. “La Chute d‘un ange, ou le monstrueux à travers le mythe de Frankenstein de Shelley à Aldiss” In Le Monstrueux dans littérature et le pensée an-glaises. [GGII: 0435].

FLOC'H, Sylvain. “La Mise à mort du feminin dans le Frankenstein de Mary Shelley: De la revocation matricielle à la creature artificielle.” Revue de Littératures Francais et Comparée 13 (1999): 293-300. [The female manner of death in Mary Shelley’s Frankenstein: On the matricidal revocation of the artificial creature].

FLORESCU, Radu. In Search of Frankenstein. [GGI: 0731].

FORRY, Steven. The ‘Hideous Progenies’ of Richard Brinsley Peake: Dramatization of Frankenstein.” [GGII: 0438].

FORRY, Steven. “Dramatizations of Frankenstein: A Comprehensive List.” [GGII: 0436].

FORRY, Steven. “‘The Foulest Toadstool’: Reviving Frankenstein in the Twentieth Century.” In The Fantastic in World Literature and the Arts. [GGII: 0437].

FORRY, Steven. Hideous Progenies: Dramatizations of Frankenstein from Mary Shelley to the Present. [GGII: 0439].

FOUST, R.E. “Monstrous Image: Theory of Fantasy Antagonists.” [GGI: 0732].

FRANCI, Giovanni. “Lo Specchio del futuro: Visione e apocalisse in The Last Man di Mary Shelley.” Quaderni di Filologia Germanica della Facolté di Lettere e Filosofia dell ‘Universite di Bologna 1 (1980): 75-84. [The Mirror of the Future: Vision and Apocalypse in Mary Shelley’s The Last Man].

FRANCO, Dean.  “Mirror Images and Otherness in Mary Shelley’s Frankenstein.” Literature and  Psychology 44 (1998): 37-50.

FRANK, Ann Marie. “Factitious States: Mary Shelley and the Politics of Nineteenth Century Women’s Identity Fiction.” Dissertation Abstracts International 50 (19-90): 2495A-96A (University of Michigan).

FRANK, Frederick S. “Mary Shelley’s Frankenstein: A Register of Research.” [GGI: 0732A].

FRANK, Frederick S. “Mary Shelley’s Other Fiction: A Bibliographical Census” (pp. 309-64). In Iconoclastic Departures: Mary Shelley After Frankenstein. Essays in Honor of the Bicentenary of Mary Shelley’s Birth, eds. Syndy M. Conger, Frederick S. Frank, and Gregory O‘Dea. Madison, NJ: Fairleigh Dickinson University Press, 1997.

FREEBORN, Richard. “Frankenstein’s Last Jour-ney.” [GGII: 0440].

FREEMAN, Barbara. “Frankenstein with Kant: A Theory of Monstrosity, or the Monstrosity of Theory.” [GGII: 0441].

FRIEDMAN, Lester D. “Sporting with Life: Frankenstein and the Responsibility of Medical Research.” [GG-II: 0442].

FULTON, Dawn. “Frankenstein's Other: The Monstrous Feminine in Maryse Conde's Célanire cou-coupé” (67-79). In Horrifying Sex: Essays on Sexual Difference in Gothic Literature, ed. Ruth Bienstock Anolik. Jefferson, NC: McFarland, 2007..

GARDNER, Joseph H. “Mary Shelley’s Divine Tragedy.” [GGI: 0733].

GAYLIN, Willard.”The Frankenstein Myth Becomes a Reality.” [GGI: 0734].

GÉRARD, Albert. “Prométhée a l‘envers, ou le mythe de Frankenstein.” [GGI: 0735].

GERSON, Noel B. Daughter of Earth and Water. [GGI: 0736].

GERVAIS, Sylvie. “L‘Ailleurs des Lumières ou comment l‘homme nouveau devient un monstre dans le roman noir” (pp. 53-62).  In Authorship, Authority/Auteur, Autorite, eds. Vincent Desroches and Geoffrey Turnovsky. New York: Columbia University Press, 1995. [The Elsewheres of the Enlightenment or how the new man becomes a monster in the Gothic novel].

GIGANTE, Denise. “Facing the Ugly: The Case of Frankenstein.” ELH 67 (2000): 565-87.

GILBERT, Sandra. “Horror’s Twin: Mary Shelley’s Monstrous Eve.” [GGI: 0737].

GIVNER, Jessie. “The Revolutionary Turn: Mary Shelley’s Frankenstein.” Gothic Studies 2 (2000): 274-91.

GLICKMAN, Steven Ross. “Forbidden Texts: The Ambivalence of Knowledge and Writing in Horror Fiction from Mary Shelley to Stephen King.” Dissertation Abstracts International 58:7 (1998): 2647 (University of Colorado).

GOLDBERG, M.A. “Moral and Myth in Mrs. Shelley’s Frankenstein.” [GGI: 0740].

GOLDBORT, Robert C. “‘How Dare You Sport Thus With Life?’: Frankensteinian Fictions as Case Studies in Scientific Ethics.” Journal of Medical Humanities 16 (1995): 79-91.

GOLDNER, Ellen J. “Monstrous Body, Tortured Soul: Frankenstein at the Juncture Between Discourses” (pp. 28-47). In Genealogy and Literature, ed. Lee Quinby. Minneapolis: University of Minnesota Press, 1995.

GOLDSMITH, Steven. “Of Gender, Plague, and Apocalypse: Mary Shelley’s Last Man.” Yale Journal of Criticism 4 (1990): 129-73.

GOLDSMITH, Steven. “Apocalypse and Gender: Mary Shelley’s Last Man” (pp. 261-313). In Unbuilding Jerusalem: Apocalypse and Romantic Representation. Ithaca, NY: Cornell University Press, 1993.

GOODALL, Jane. “Frankenstein and the Reprobate’s Conscience.” Studies in the Novel 31 (1999): 19-43.

GOSS, Theodora. “From Superhuman to Posthuman: The Gothic Technological Imaginary in Mary Shelley's Frankenstein and Octavia Butler's Xenogenesis.” Modern Fiction Studies 53 (2007): 434-459. [GGIV: 0000]. 

GRAY, Douglas Kevin. “Frankenstein and the Development of the English Novel.” [GGII: 0444].

GRIFFIN Andrew. “Fire and Ice in Frankenstein.” In The Endurance of Frankenstein: Essays on Mary Shelley’s Novel. [GGI: 0742].

GROSS, Dalton and Mary GROSS. “Joseph Grimaldi: An Influence on Frankenstein.” [GGI: 0743].

GRUNENBERG, Christoph. “Unsolved Mysteries: Gothic Tales from Frankenstein to the Hair Eating Doll.” (pp. 213-160). In Gothic: Transmutations of Horror in Late Twentieth Century Art, ed. Christoph Grunenberg. Cambridge, MA: MIT Press, 1997. [nota bene: page numbers are inverted throughout this book]

GRYLLS, R. Glynn. Mary Shelley: A Biography. [GGI: 0744].

HAINING, Peter. The Man Who Was Frankenstein. [GGI: 0745].

HALL, Jean F. “Frankenstein: The Horrifying Otherness of Family.” [GGII: 0445].

HAMMOND, Ray. The Modern Frankenstein: Fiction Becomes Fact. [GGII: 0446].

HARPOLD, Terrence. “‘Did You Get Mathilda from Papa?’: Seduction Fantasy and the Circulation of Mary Shelley’s Mathilda.” Studies in Romanticism 28 (1989): 49-67.

HARRIS, Janet. The Woman Who Created Frankenstein: A Portrait of Mary Shelley. [GGI: 0746].

HARVEY, A.D. “Frankenstein and Caleb Williams.” [GGI: 0747].

HATHAWAY, Rosemary. “No Paradise to be Lost: Deconstructing the Myth of Domestic Affection in Mary Shelley’s Frankenstein” (pp. 15-26). In Trajectories of the Fantastic: Selected Essays from the Fourteenth International Conference on the Fantastic in the Arts, ed. Michael Morrison. Westport, CT: Greenwood Press, 1997.

HATLEN, Burton. “Milton, Mary Shelley, and Patriarchy.” [GGII: 0447].

HELLER, Lee E. “Frankenstein and the Cultural Uses of Gothic.” In Case Studies in Contemporary Criticism: Mary Shelley, Frankenstein. [GGII: 0448].

HILL, J.M. “Frankenstein and the Physiognomy of Desire.” [GGI: 0749].

HILL-MILLER, Katherine. “My Hideous Progeny”: Mary Shelley, William Godwin, and the Father-Daughter Relationship. Newark : University of Delaware Press, 1995.

HIMES, Audra Dibert. “‘Knew shame and knew desire’: Ambivalence as Structure in Mary Shelley’s Mathilda” (pp. 115-29). In Iconoclastic Departures: Mary Shelley After Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley’s Birth, eds. Syndy M. Conger, Frederick S. Frank, and Gregory O‘Dea. Madison, NJ. Fairleigh Dickinson University Press, 1997.

HINDLE, Maurice. “Vital Matters: Mary Shelley’s Frankenstein and Romantic Science.” [GGII: 0449].

HINDLE, Maurice. “Introduction.” To Frankenstein; or, The Modern Prometheus. [GGII: 0450].

HIRSCH, Gordon D. “The Monster Was a Lady: On the Psychology of Mary Shelley’s Frankenstein.” [GGI: 0750].

HIRSCH, Gordon D. “Frankenstein, Detective Fiction, and Jekyll and Hyde.” In Dr. Jekyll and Mr. Hyde After One Hundred Years. [GGII: 0451].

HITCHENS, Gordon. “‘A Breathless Eagerness in the Audience’: Historical Notes on Dr. Frankenstein and his Monster.” [GGI: 1063].

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