Internet Resources: Edinburgh University, The Walter Scott
Page
ARATA,
Stephen. “Scott’s Pageants: The Example of Kenilworth.” Studies in
Romanticism 40 (2001): 99-107.
BOATWRIGHT, Mody C.
“Scott’s Theory and Practice Concerning the Use of the Supernatural in Prose
Fiction in Relation to the Chronology of the Waverley Novels.” PMLA:
Publications of the Modern Language Association 50 (1935): 235-61.
[GGI: 0951].
BOSWELL, George W.
“Supernaturalism in Scott’s Novels.” Mississippi Folklore Register 8:2
(1974): 187-99. [GGI: 0952].
CAMERON, Donald. “History,
Religion, and the Supernatural: The Failure of The Monastery.”
Studies in Scottish Literature 6 (1969): 79-90. [GGI:
0953].
CAMPBELL, James L. “Sir
Walter Scott” (I: 169-76). In Supernatural Fiction Writers, ed.
E.F. Bleiler. New York: Charles Scribner's, 1985. [GGII:
0597].
CHANDLER, Alice. “Sir
Walter Scott and the Medieval Revival.” Nineteenth Century Fiction 19
(1965): 315-22.[GGII: 0598].
DUNCAN, Ian Hamish.
“Modern Romance: The Gothic, Scott, Dickens.” Dissertation Abstracts
International 50 (1990): 3600A (Yale University). [GGII:
0599].
DUNCAN,
Ian Hamish. Modern Romance and Transformations of the Novel: The Gothic,
Scott and Dickens. Cambridge, UK: Cambridge University Press, 1992.
[GGII: 0600].
DUNCAN, Ian Hamish. “Walter Scott, James Hogg, and Scottish Gothic” (pp. 70-80). In A Companion to the Gothic, ed. David Punter. Oxford, UK and Malden, MA: Blackwell Publishers, 2000.
FREYE, Walter. The
Influence of “Gothic“ Literature on Sir Walter Scott. Rostock, Germany: H.
Winterberg, 1902. [GGI: 0954].
GAMER,
Michael C. “Marketing a Masculine Romance: Scott, Antiquarianism and the
Gothic.” Studies in Romanticism 32 (1993): 523-49.
IRVINE, Robert P. “Scott’s The Black Dwarf: The Gothic and the Female Author.” Studies in Romanticism 38 (1999): 223-48.
LEERSSEN, J.Th. “Fiction Poetics and Cultural Stereotype: Local Colour in Scott, Morgan and Maturin.” Modern Language Review 86 (1991): 273-84.LE TELLIER, Robert Ignatius. Sir Walter Scott and the Gothic Novel. Lewiston, NY: Edwin Mellen Press, 1995.
MACK, Douglas. “Scottish Gothic” (pp. 208-10). In The Handbook to Gothic Literature, ed. Marie Mulvey-Roberts. New York: New York University Press, 1998.MADDOX, James H.
Jr. “The Survival of Gothic Romance in the Nineteenth Century Novel: A Study of
Scott, Charlotte Brontë, and Dickens.” Dissertation Abstracts
International 32 (1971): 442A (Yale University).[GGI:
0957].
MAYO, Robert
Donald. “The Waverley Novels in their Relation to Gothic Fiction.”
Doctoral Dissertation, Princeton University, 1938. [GGI:
0958].
ORR.
Marilyn. “Repetition, Reversal, and the Gothic: The Pirate and St.
Ronan’s Well.” English Studies in Canada 26 (1990): 187-99. [GGII:
0601].
PARSONS, Coleman O. “The
Interest of Scott’s Public in the Supernatural.” Notes & Queries
185 (1943): 92-100. [GGI: 0959].
PARSONS, Coleman O. Witchcraft and Demonology in Scott’s Fiction. Edinburgh: Oliver & Boyd, 1964. [GGI: 0961].
ROBERTSON, Fiona. “The
Function of Gothic Elements in Relation to Walter Scott’s Narrative Technique.”
Dissertation Abstracts International 51 (1991): 3757A-58A (Oxford
University). [GGII: 0602].
ROBERTSON, Fiona. “Castle
Spectres: Scott, Gothic Drama, and the Search for the Narrator” (pp. 444-58). In
Scott in Carnival, eds. J.H. Alexander, David Hewitt. Aberdeen:
Association for Scottish Literary Studies, 1993.
ROBERTSON, Fiona. Legitimate Histories: Scott, Gothic, and the Authorities of Fiction. Oxford; Clarendon Press; New York: Oxford UP, 1994.
SUMMERS, Montague. “Scott and the Supernatural.” Notes & Queries 185 (1943): 170-71. [GGII: 0603].TAYLOR,
Michael. “Reluctant Romancers: Self Consciousness and Derogation in Prose
Romance.” English Studies in Canada 17 (1991): 89-106. [GGII:
0604].
WILT, Judith. “Transmutations: From Alchemy to History in Quentin Durward and Anne of Geierstein.” European Romantic Review 13 (2002): 249-60.